- Blackmore Gear & Tone
- Finger Plucked Diad Riffs
- Blues Licks with Diatonic Notes
- Bluesy Minor Triad Sweeping
- Preparing to Play Along Example 1
- Blackmore Example 1 Play Along
- Octave Riffing
- Baroque Scale Sequencing
- Two String Arpeggio Pull-offs
- Preparing to Play Along Example 2
- Blackmore Example 2 Play Along
- Snake Charmer Riffing
- Snake Charmer Licks
- Phrygian Triads
- Preparing to Play Along Example 3
- Blackmore Example 3 Play Along
- Ritchie Blackmore Style Conclusion
The second lick of our example 2 is also in A minor. But this time we are going to play triad arpeggios that outline a chord progression instead of a scale like pattern. The technique involves playing two of the arpeggio notes on one string as a pull-off, then playing the third note on the next lower, adjacent string. The progression is very Baroque-Classical and follows a circle of fifths pattern.
This is another very typical part of Blackmore's playing style that is very influential.
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